Hi. Thank you for visiting.
My name is El. I make art and create spaces for others to do the same. My work weaves regenerative practices, peace building, and aliveness into various creative vehicles – theatre, visual art, music, etc. Most of what I do revolve revolve around creating visceral experiences and presence.
Here you’ll find a selection of my projects. While they vary in medium, they explore 4 core principles
Connection with ourselves, one another, and our environment
Play and (Re)claim our wild, curious nature
Direct Experience through our body and heart
Hope “is a verb with its sleeves rolled up.”
Yes. I’d love to hear from you. Write me hope.elchen@outlook.com or through IG.

Are You in the Right Place?
UK
2024
What becomes possible when we hold masculinity with love? Are You in the Right Place is a one-man performance featuring Gabriel Antunes. This piece shares the journey of a young artist exploring his relationship with masculinity, anxiety, and joy. The creative process draws inspiration from wildlife tracking and systemic constellation. Each performance is improvised with predetermined structure and theme. Featuring audio installations made by a multigenerational group of men from US, UK, Ghana, and Greece.
Opened in July, 2024 at Etcetera Theatre, London. Recording available here.
In Search of Exquisite Medicines
UK
2024
What happens when our connection goes beyond identity, logic, and known paths? What happens when people of all backgrounds, ages, ethnicities, and genders come together to explore the reality, and imagine the future, of connection?
In Search of Exquisite Medicines is a devised theatre piece exploring life-giving access to connection: imagination, visceral senses, deep presence through improv.
Opened in April, 2024 at Etcetera Theatre, London. Recording available here.

Visual Art
Groove
Multiple locations
2018 – Present
In 2018, I created Groove, an ongoing project that generates community-specific improv theatre. Groove uses creative and embodied self-expression to engage members of each host community in exploring a theme of their choice that is relevant to their daily lives. Groove has taken place in China, US, UK, and Australia. Past themes include “Self and Belonging,” “Love and Senses,” and “Seeing.”
Revolving around embodied experiences, Groove workshops draw on elements of improvisation, theatre, music, creative writing, and movement. Through each workshop, Groove invites participants to invoke creativity and curiosity in connecting with themselves, with others, and with the experiences shared by their community.

Project whY aM I (YMI)
Worldwide
2016 – 2020
YMI was created to push the boundaries of “public space,” of what it means and what it can do. 4000 pre-addressed postcards with open-ended prompts were distributed at venues with public access and to pedestrians in cities across the world.

YMI imagines a world where public spaces, regardless of size, are used as an invitation for self-reflection and empathy. By confronting its receivers with an inward-looking “why am I“ question, each YMI postcard evoked a moment of choice, of what to do with this opportunity to pause and process. YMI was invited to exhibit in Ann Arbor and Ypsilanti, Michigan. Exhibiting public responses created a second layer for utilizing public spaces to foster empathetic connection on a collective level.
Image (left): YMI exhibit in Ypsilanti, MI



BYX
Ann Arbor, MI
2016
We live in a world where labels and character are closely tied with one another. Inundated with data delivered by media and hearsays, each new piece of information chips away a bit of energy for getting to know the substance beneath the packaging. How often do we take the time to fully see someone, to see what stories, joys, and sorrows they carry?
BYX is an invitation to examine the ways in which we relate to young men of Christian faith in Michigan. Through a week-long residency with the Michigan chapter of Beta Upsilon Chi, a social fraternity for Christian men, I produced a series of 43 images capturing the daily and ritual moments shared within this community. These images were shared with local communities, accompanied with dialogues around thoughts, emotions, and doubts that came up while viewing the images.

Prison Creative Arts Project
Michigan, US
2014 – 2020
Since 2014 I have been working as a curator, arts programming coordinator, and workshop facilitator with Prison Creative Arts Project, an organization at the University of Michigan. PCAP’s mission is to bring “brings those impacted by the justice system and the University of Michigan community into artistic collaboration for mutual learning and growth.”
The Annual Exhibition of Art by Michigan Prisoners (Annual Exhibition) is one of the largest exhibitions of artwork by incarcerated artists in the world. For each exhibition, PCAP curators travel across the state of Michigan to have conversations with artists and select work for the exhibition which is mounted in Ann Arbor each spring. The exhibition, featuring between 300 and 500 artists is viewed by around 5,000 people. Through PCAP, artists living behind bars show their work for the public to connect with in a humanizing way both intellectually and emotionally.

To strengthen accessibility and engagement of PCAP’s programming, I collaborated with U-M Residential College to co-produce a series of audio conversation, narrated by myself Janie Paul, co-founder of the Annual Exhibition, and formerly incarderated artists Martin Vargas and Bryan Picken. Staying true to PCAP’s mission, this project aimed to amplify voices of artists who were directly impacted by US criminal justice system.
In addition to designing program-specific educational experiences for classes and communities visiting the Annaul Exhibition, I collaborated with local hospitality, health, and religious communities to create public spaces for ongoing PCAP art exhibits and community gatherings. Co-sponsored by PCAP Detroit Street Filling Station, I curated 2 exhibits of art by formerly incarcerated artists Martin Vargas and Alan Compo. These initiaves expanded spaces in which the public can engage with the topic of criminal justice through art and dialogue, vehicles that are less prone to initiate debates and more oriented around mutual understanding.
The community outreach projects are in collaboration with Detroit Street Filling Station, 327 Braun Court, Om of Medicine, Literati Bookstore, Unitarian Universalist Church of Greater Lansing, Represent Justice, and Detroit Institute of Arts.


Drama X Mental Health Coalition
Shanghai, China
2021
As an artist and a social worker, I see community building as a form of art, an ongoing process of collective creative expression with intent. In 2021, I co-founded Drama X Mental Health Coalition (DMHC) with Mind China. Through mutual learning, collaboration, and project incubation, DMHC brings together performance makers, educators, and mental health professionals to explore “how might drama serve communities imapcted by mental-health-related issues?”

So far, DMHC has attracted members from 10+ different organizations, both private and state-owned, and has initiated incubation for 3 projects while supporting for DMHC members’ current projects.
Projects in incubation:
To Not Leave without Saying community education project
Nature X Drama for Mental Health cirriculum
Oriental Myth Adaptation and Production for Death Education
Members’ Affiliations include:
Huan Yuan Theatre Group, Know Yourself, P.L.A.Y Theatre Education Project, Shanghai Dramatic Arts Center, HaiDian District Actor Association, Shanghai Theatre Academy, Shanghai Mental Health Center, Xin Si Theatre Group





